All Hip-Hop Review: http://allhiphop.com/2008/10/06/the-notorious-b-i-g-ready-to-die-og-edition-mixtape-review/
Every classic album has a story; a background that illuminates the preparation and sacrifices that are required to create a seminal piece of art. In the case of DJ Semis Ready To Die (The O.G. Edition), fans are taken on a journey that clearly shows there were clashing ideologies between B.I.G. and executive producer Sean Diddy Combs.
As seen on the released version, the then Sean Puffy Combs aspired to have a balanced album that not only appealed to East Coast Hip-Hop followers on the corner, but also fans nationwide.
Biggie was unconcerned with that, as evidenced by the amazing alternate versions of our classic Ready To Die tracks. Gimme the Loot is included in its uncensored form, complete with Biggies feverish taunts to strangle robbery victims and violate pregnant women.
Easy Mo Bees Machine Gun Funk is replaced by DJ Premiers signature rhythms, which resembles Nas Represent in terms of the tracks musical arrangements.
Ready To Die is completely reborn with its original beat that was an obvious nod to Tribe Called Quests jazz focused boom-bap. The jazzy horns of the chorus and the beats looped guitar lick create a better, more ominous atmosphere then the revamped album cut.
Two revered tracks receive intriguing makeovers due to apparent problems clearing samples. One More Chance gets altered by including a sample loop of Patti LaBelles All This Love, while Me And My B**** loses some of its edge with the more melodic, original sample of Minnie Ripertons Take A Little Trip.
Purists will also note Pete Rocks version of Juicy, a track the legendary producer claims Diddy stole from him after hearing it over his house. Besides some minor alterations in the drum patterns, the song remains unchanged from the well known Diddy produced version. However, Pete was still paid and the track was dubbed a remix to prevent any legal ramifications.
For Biggie fans, this release is mandatory and should be viewed as the bonus disc to his landmark debut. Here you have everything from demos (Who Shot Ya, Everyday Struggle, Friend of Mine) to previously unreleased tracks (Whatchu Want, Pepsi Freestyle, Macs N Dons), to un-cleared sample originals.
Time has shown that Diddys key changes to Biggies debut and persona paid dividends and launched a legendary career. But that doesnt mean Hip-Hop cant celebrate the young, hungry Christopher Wallace that was more concerned with making a hot record for his block as opposed to going mainstream.